guest post by Gor-Lak, undead lich
As an avid follower of the Tanster Project for a bit now, I’ve made an interesting observation. Tanster lives in a bubble. She is almost completely unaware of her effect on the world. The New York Times, a notorious military intelligence mouthpiece, ran an article stating that the bankers told the US to invade Haiti and they did. Then Tanster’s favorite punching bag, Kissinger, got blasted and ripped in the media this week. Coincidence? Please.
That wasn’t the interesting part. You see, this observation leads to uncovering what her motivation is for constantly doing all this righteous, revolutionary work.
What’s that you say? Revolutionary?
Yeah, duh. Politicians are stooges putting on a wrestling show to distract us. Military Intelligence runs PsyOps on their own citizens. The Mainstream Media is a puppet of the government. All of it is in place to serve the evil overlord bankers.
Tanster is going after the real hidden power running the show from behind the curtain. That’s about as revolutionary as it gets.
So why does she do it? This is the interesting part. You have to think. Fun!
If her motivation was fame, then she would be much more aware of her impact on the world. She has no idea about that. She was surprised to find out that the bigwigs of the Hamptons were having debates about her creative work. Were they art or graffiti? The mayor of Southampton Village was on the grafitti side. Like I said,, revolutionary. Down with authority!
Well the only other motivation for doing this stuff is money. But that’s not what’s driving Tanster either. You know how I know? No ads. She is a prolific video maker. Never ran an ad. Which is great because ads suck. And I’m saying this as an adman.
She also didn’t take the GoFundMe package that everyone else snapped up.
So if it’s not fame or fortune, then what is her motivation? I mean I want to say this is all about heroism. The hero’s motivation is altruism. That isn’t a real thing though. I’m going to crack this nut and will keep you posted.